SAPARAN, Yogyakarta's Culture

SAPARAN CELEBRATION





The ritual of Saparan celebrated in Pondok Wonolelo, Widodomartani, Ngemplak, Sleman, included the unique procession of the gunungan (mountain-shaped structure) of apem, which then were shared to all participants attending the ritual. The historical background of the tradition leaped backward to the Javanese year 1511 or 1590 AD, when Ki Ageng Wonolelo brought the apem cakes as the presents after completing his pilgrimage. According to the local historical record, Ki Ageng Wonolelo was a descendant of Prabu (His Holiness) Brawijaya of the Majapahit kingdom.
Unlike the one held in Wonolelo, the ritual of Saparan Bekakak held in Ambarketawang, Gamping, Sleman, had a historical background originated from the Keraton (Palace) of Ngayogyakarta Hadiningrat (the official name of the Yogyakarta palace). The history told that the building of Keraton Yogyakarta had just been worked about, and that Sultan Hamengku Buwono (HB) I had to move into a temporary living at Ambarketawang, together with all of his fellow servants. A servant named Kiai Wirasuta and his wife had chosen rather to stay in a cave at the Gunung Gamping. When Gunung Gamping fell down, the Wirasuta family died with their bodies left unfound, leading the surrounding people to believe that their spirit must have stayed still in Gunung Gamping.
Every year during the Saparan ritual, a couple of “brides”, known as bekakak, were slaughtered at the ruins. The bekakak were made of sticky rice molded into bride-like shape filled in with liquefied brown sugar pretending to be the “blood”. Sultan HB I himself commanded his people to do so in recalling Ki Wirasuta’s loyalty. The history was then mixed with a legend developing afterwards. Gunung Gamping had once been a limestone mining spot (gamping is the Javanese word for limestone), which had caused many cases of mortality. The bekakak slaughtered were expected to be an offering in substitution to the miners’ lives. The ritual lasts until today although the limestone mining had ended long ago.
Source : https://budinddharmawan.wordpress.com





Location: Gamping, Sleman Regency, Special Region of Yogyakarta, Indonesia

Comments

Post a Comment

Popular posts from this blog

SUKAWANA TEA PLANTATION, Bandung Tourism (West Java-Indonesia)

Image
Best Tourism Destination Sukawana Tea Plantation in Lembang, Bandung -  One of the tourist attractions in Lembang Bandung that you should visit with the family is a sukawana tea plantation that has its own beauty for those who have been to this unique tourist spot.   Sukawana tea plantation located in Parongpong Lembang Bandung is not a regular tourist spot because you can see the beauty of the tea garden is neat with an unspoiled scenery. Sukawana Tea Plantation  in Lembang turns out to be under the control of PTPN VIII managers where this location stems from the name of Van Houten a Meneer from the Netherlands who owns the plantation, now PTPN more lifted the name Sukawarna to call the tea plantation area is more known by the people in Indonesia.   In addition, you can see the beauty of a vast tea garden, you can also surround a tea processing plant that is very famous because the processed from this region to be export center abroad. Location  For those of you who want
Read more

WAYANG KULIT, Java's Culture

Image
Wayang kulit  is a traditional  puppet-shadow play  found in the culture of  Java ,  Bali , and  Lombok ,  Indonesia . [1] In a  wayang  kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut-oil (or electric) light. The  Dalang  (shadow artist) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. Wayang kulit is one of the many different forms of wayang theatre found in Indonesia, the other being  wayang beber ,  wayang klitik ,  wayang golek ,  wayang topeng , and  wayang wong . Wayang kulit is among the best known, offering a unique combination of ritual, lesson and entertainment. On November 7, 2003,  UNESCO designated  wayang kulit  from Indonesia as one of the  Masterpieces of the Oral and Intangible Heritage of Humanity . [2] Etymology [ edit ] The term  wayang  is the  Javanese word  for  shadow , [3]  or  bayang  in standard  Indonesian ; the word also means "imagination".
Read more

WAYANG WONG ATAU WAYANG ORANG, Java's Culture

Image
Wayang wong , also known as  Wayang orang  (literally 'human  wayang )', is a type of classical  Javanese dance theatrical performance with themes taken from episodes of the  Ramayana  or  Mahabharata . Performances are stylised, reflecting Javanese court culture: Wayang wong  dance drama in the central Javanese  Kraton  (royal court) of Yogyakarta represents the epitome of Javanese aesthetic unity. It is total theatre involving dance, drama, music, visual arts, language, and literature. A highly cultured sense of formality permeates every aspect of its presentation. [1] Despite being heavily associated with  Javanese tradition , the variants of wayang wong dance drama are also can be found in neighboring ethnics traditions, including  Balinese  and in  Sundanese  traditions. History The  bas relief  panels on 9th century  Prambanan  temple shows the episodes of  Ramayana  epic. While the adaptation of  Mahabharata  episodes has been integrated within Javan
Read more